Reviews
“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”
“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”
“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”
“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”
“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”
“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”
“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”
“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”
Cange's Corner




The 48 Hour Wednesday!!! (literally)
So how does one experience a literal 48 hour Wednesday, and completely lose a Tuesday from their life? It’s easy; just head “down-under” and come back really fast!! You see, I spent a magnificent, long weekend in Montgomery, Alabama (read previous post) working with some wonderfully talented and dedicated young singers as part of my […]
Vann Vocal Institute: The Ramp Up
As some of you know, in addition to my operatic performance career, I have spent the last four years establishing (by invitation) a small but growing vocal institute in Montgomery, Alabama; a city with which I have had a decades-long association. As the Artistic Director of the Vann Vocal Institute (named after deceased philanthropist and […]
Kuwaiti Holiday
As the city of Chicago sustains the crippling “Blizzard of 2011” (replete with thunder and lightning) on this February 1st, and I watch with delight from my large bank of living room windows in this truly Windy City tonight; my mind is wandering back to the sunny mid 70 degree temperatures I was enjoying just […]
Motorcycles, Children, and the Bursting of Bubbles….
For the faithful readers of my blog (and I DO thank you), and for the occasional visitors to it; I thought it might be fun to post a short missive on what really goes on in the wings of the stage and, in fact, on-stage or just behind the set during a performance. As you […]
Acid and Angst!!
When I was first starting off in the opera business, I remember being impressed when I heard that a fellow singer had just flown in from London, Paris, San Francisco, or New York. So romantic it seemed; and I wondered if I would ever get the chance to be the one doing the flying….well, be […]
Giancarlo del Monaco…is he just misunderstood???
The last three and a half weeks here at New York’s Metropolitan Opera have been interesting, to say the least. We have been busy staging Puccini’s La Fanciulla del West, or technically speaking, “remounting” the production that was set forth some 20 years ago by sometimes “controversial” opera director Giancarlo del Monaco. This self-proclaimed “hater […]
When the curtain comes down…
On October 23 2010, the first of my two contracts with the Metropolitan Opera for this season came to an end. The second contract is scheduled to begin on November 11 (the day after my birthday). So when the curtain comes down for the last time in the run of a show, and the next […]
From The Tales of Hoffmann, to the Hall of Fame
As I hit the mid-performance schedule of The Tales of Hoffmann here at the Metropolitan Opera, I find myself gratified by the large audience turnout, as well as their enthusiasm for this current cast. By all accounts, it is considered to be a better suited group than those represented last year when this production first […]