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Reviews

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”

Janelle Gelfand, The Cincinnati Enquirer
Concert review: Fidelio, Cincinnati Symphony

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”

Janelle Gelfand, The Cincinnati Enquirer
Concert review: Fidelio, Cincinnati Symphony

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Dallas Opera, 2010: Madame Butterfly

By David Cangelosi | June 6, 2010

The past months of April and May were spent in the wonderful city of Dallas, Texas, working with the Dallas Opera.  The only thing that could have trumped the world premiere of Jake Heggy’s much touted (and rightfully so) Moby Dick, and the wonderful remount of Francesca Zambello’s Madame Butterfly was the actual continuation of […]

Opera, Drama and the Character Tenor: An Interview with David Cangelosi

By David Cangelosi | January 4, 2009

Interview with William H. Burnett: OPERAWARHORSES.COM www.operawarhorses.com January 4th, 2009 As a reviewer of substantial numbers of operatic performances, one comes to appreciate that a truly successful performance requires much more than good singing by the singers in the lead roles. Often, a good performance becomes a great one when the opera’s storyline is enhanced […]

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