Old Home

Opera Singer and Performer
David Cangelosi

David Cangelosi was a strong-voiced Noctambulist and Pope of Fools, singing with more irony and seductiveness…(his) long hair and white suit made this rogue foppishly elegant.

Opera News

The other high-lying male role is filled by David Cangelosi. His voice is unusually rich and powerful…

Theater Jones

The remarkable David Cangelosi etched yet another vivid and strongly sung characterization as the goofy scientist, Spalanzani.

Chicago Classical Review

David Cangelosi gave us a vibrant, interesting tenor as Tinca.

New York Sun

It was Cangelosi's Mime who nearly stole the show for being so brilliantly sung with vivid characterization.

Opéra Fantastique

David Cangelosi gave his usual polished turn as the wicked Monostatos.

Musical America

Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever.

Opera West

[wdi_feed id="1"]

Biography

David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.

Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.

Reviews

“The dwarf Mime (brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever) is living with his ‘adopted son’, Siegfried, in the shell of a small trailer.”…”Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this often annoying role a total pleasure.”

Opera Review: Siegfried (Cycle II), San Francisco Opera
Opera West

“I was impressed with the energy and physicality of David Cangelosi as the four servants as well. Cangelosi stole the whole show.”

Opera Review: The Tales of Hoffmann, Santa Fe Opera
Out West Arts

“As the First Jew, David Cangelosi revealed vocal resources superior to those of most character tenors.”

Concert review: Salome, Boston Symphony Orchestra at Tanglewood
Richard Dyer, Boston Globe

Cange's Corner

video-fpa-1
video-fpa-2
video-fpa-3
video-fpa-4

"Death of a Symphony"??……Not so fast!!

By David Cangelosi | March 26, 2011

One of the negative effects of participating so actively in the operatic forum is that of occasionally becoming musically ‘land-locked’.  After day-in and day-out of rehearsal, where the centerpiece is musical, sometimes the last thing we want to do in our free time is take in more music.  Oft times, I will do anything I […]

Boris Godunov at The Dallas Opera; a prediction!!

By David Cangelosi | March 14, 2011

I sit in the auditorium, on this Monday night, of the spectacular new Winspear Opera House that is now home to a rejuvenated Dallas Opera.  Although the company itself, like so many arts organizations these days, is struggling mightily in the budget arena, it has not stopped them from mounting impressive productions and spotlighting new, […]

The 48 Hour Wednesday!!! (literally)

By David Cangelosi | March 4, 2011

So how does one experience a literal 48 hour Wednesday, and completely lose a Tuesday from their life? It’s easy; just head “down-under” and come back really fast!! You see, I spent a magnificent, long weekend in Montgomery, Alabama (read previous post) working with some wonderfully talented and dedicated young singers as part of my […]

Vann Vocal Institute: The Ramp Up

By David Cangelosi | February 17, 2011

As some of you know, in addition to my operatic performance career, I have spent the last four years establishing (by invitation) a small but growing vocal institute in Montgomery, Alabama; a city with which I have had a decades-long association.  As the Artistic Director of the Vann Vocal Institute (named after deceased philanthropist and […]

Kuwaiti Holiday

By David Cangelosi | February 1, 2011

As the city of Chicago sustains the crippling “Blizzard of 2011” (replete with thunder and lightning) on this February 1st, and I watch with delight from my large bank of living room windows in this truly Windy City tonight; my mind is wandering back to the sunny mid 70 degree temperatures I was enjoying just […]

Motorcycles, Children, and the Bursting of Bubbles….

By David Cangelosi | January 23, 2011

For the faithful readers of my blog (and I DO thank you), and for the occasional visitors to it; I thought it might be fun to post a short missive on what really goes on in the wings of the stage and, in fact, on-stage or just behind the set during a performance.  As you […]

Acid and Angst!!

By David Cangelosi | January 10, 2011

When I was first starting off in the opera business, I remember being impressed when I heard that a fellow singer had just flown in from London, Paris, San Francisco, or New York.  So romantic it seemed; and I wondered if I would ever get the chance to be the one doing the flying….well, be […]

Giancarlo del Monaco…is he just misunderstood???

By David Cangelosi | December 3, 2010

The last three and a half weeks here at New York’s Metropolitan Opera have been interesting, to say the least.  We have been busy staging Puccini’s La Fanciulla del West, or technically speaking, “remounting” the production that was set forth some 20 years ago by sometimes “controversial” opera director Giancarlo del Monaco.  This self-proclaimed “hater […]

When the curtain comes down…

By David Cangelosi | November 10, 2010

On October 23 2010, the first of my two contracts with the Metropolitan Opera for this season came to an end.  The second contract is scheduled to begin on November 11 (the day after my birthday).  So when the curtain comes down for the last time in the run of a show, and the next […]

From The Tales of Hoffmann, to the Hall of Fame

By David Cangelosi | October 13, 2010

As I hit the mid-performance schedule of The Tales of Hoffmann here at the Metropolitan Opera, I find myself gratified by the large audience turnout, as well as their enthusiasm for this current cast.  By all accounts, it is considered to be a better suited group than those represented last year when this production first […]

Schedule

Let's Chat

  • This field is for validation purposes and should be left unchanged.

X