Biography

David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.

Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.

Reviews

"Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever."

Opera West
Opera Review: as Mime

And casting David Cangelosi in the problematic role of Monostatos was inspired. Cangelosi went to town playing up the character’s officious buffoonery, singing strongly all the while.

Washington Post
The Magic Flute, Washington National Opera

All of the roles were well taken. Chief among them was the remarkable character tenor David Cangelosi as the Blind Judge. His powerful singing emphasized the Judge’s tenacity...

Opera Canada
Das Wunder der Heliane, Bard Music Festival

“Pagliacci’s best singing of the night came from Beppe…in a sweetly sung serenade, courtesy of tenor David Cangelosi. “

William V. Madison, Opera News
Opera review: Pagliacci, Lyric Opera of Chicago

The supporting cast was first rate. David Cangelosi as the Blind Judge gave a stentorian hint that Justice might be rendered.

ConcertoNet
Das Wunder der Heliane, Bard Music Festival

“Tenor David Cangelosi made a real human being out of the secondary character Prunier, and delivered the musically important part with panache. “

T.J. Medrek, Boston Herald
Opera review: La Rondine, Boston Lyric Opera

“David Cangelosi’s Mime was vocally exactly right…moving…climbing…even doing an (impressive) series of cartwheels. “Cangelosi comes through it all, to his credit, singing well all along.”

San Francisco Examiner
Opera Review: Siegfried, San Francisco Opera

"The remarkable David Cangelosi dominates the show to such an extent that the opera should be renamed ‘Mime’."

The Classical Review
Opera Review: as Mime

"Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this role a total pleasure."

Opera West
Opera Review: as Mime

The henchman (Spoletta)...well sung by David Cangelosi (a splendid character actor).

Washington Classical Review
‘Tosca’, Washington National Opera (May 11, 2019)

“Mime is David Cangelosi – beyond any doubt whatsoever the best acting I’ve seen anywhere in the world for this very fun – and challenging role.”

Operawarhorses.com
Opera Review: Siegfried, San Francisco Opera

Similarly, I always enjoy veteran performer American tenor David Cangelosi. In this production, he was Monostatos. Cangelosi has been around international opera long enough to telegraph “I got this” to the audience. My guess is that kind of cool has a calming effect backstage, similar to that of a veteran ballplayer sitting on the bench with the jumpy rookies. DC Metro Theater Arts

DC Metro Theater Arts
The Magic Flute, Washington National Opera

"David Cangelosi’s lustrous Tenor tones were conveyed with complete control as the character Mime… he obviously relished the potential of this multi-layered role...a 'tour-de–force' performance."

DC Metro Theater Arts
Opera Review: as Mime

Cange's Corner

A Farewell to Montgomery with Love for the Art

October 1, 2024
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After 17 years, the Vann Vocal Institute–a program of the Montgomery Symphony Association–will cease operations after a free concert for the public on Saturday October 5 (7:00 p.m.) at the Montgomery Museum of Fine Art (MMFA). The farewell event will feature artists that have been part of the Institute’s world-class faculty since 2007. Internationally acclaimed […]

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Swift-enstein or Franken-Swift?

October 16, 2023
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Over the past few months, I have been lucky enough to enjoy several theatrically oriented Chicago events in between my own performance and teaching obligations. Included among these are: Bravo Broadway (Grant Park Music Festival) Clouds in My Coffee (Ravinia Festival) South Shore Dance Company (Auditorium Theater), To Kill a Mockingbird (CIBC Theater), Chicago Sound […]

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The Highest of Compliments

January 1, 2022
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It is sometimes hard to know–in a full sense–what kind of impact you make as an artist on your audiences and critics; and while feedback from one’s colleagues is often immediate…and generous…sometimes you are blown away by learning (several years later) just how you may have inspired a rising star. Case in point: In a […]

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Vann Vocal Promo II

March 10, 2020
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https://www.wsfa.com/video/2020/03/09/vann-vocal-institute-celebrates-years-with-free-concerts/?fbclid=IwAR0_8UP4Bftk4MPT8aOMDw7g72q3RAJwTV5cy-6cOO4gYfcsjBxmnyKLOj4

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Vann Vocal Promo!

March 10, 2020
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https://www.wsfa.com/video/2020/03/05/talk-world-finest-opera-singers-coming-montgomery/?fbclid=IwAR0SAMO6XUC6RNl61-BPCUNIOtAOXA-iuci_9WelkFhMzLWF1EcZij67KA4

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A Witch of a Time

January 23, 2020
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Gotta love a good story regarding one’s love of the craft. Click on the link and read all about it! https://www.minotdailynews.com/life/arts-entertainment/2020/01/cangelosi-shares-his-love-for-opera/

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Slow Down, You Move Too Fast

October 20, 2019
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In 1966, or 1970–depending upon which release date you choose–music lovers of a certain age will remember a tuneful little song with a simple message. That message being: “Just enjoy the moment”.  (In this particular case, the ‘morning time’ specifically…but we can broaden that inspiration to encompass the entire day as far as I am […]

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New York (Up) State-of-Mind

June 18, 2019
Category:

I’m busy putting the finishing touches on Das Wunder der Heliane (Korngold) which will have its U.S. Premiere in August at the Bard Music Festival (‘SummerScape’) under the baton of Maestro Leon Botstein. The cast will star several colleagues/friends of mine, including Daniel Brenna (my favorite Siegfried), Nathan Berg (one of my favorite Alberich’s), and […]

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