Mime

“Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever.”

Opera West
Opera Review: as Mime
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“As Mime, tenor David Cangelosi dominated the first act of ‘Siegfried’.”

Washington Post
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“Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this role a total pleasure.”

Opera West
Opera Review: as Mime
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“The remarkable David Cangelosi dominates the show to such an extent that the opera should be renamed ‘Mime’.”

The Classical Review
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“American tenor David Cangelosi…succeeded in making the first two acts of Siegfried high points of the entire Ring cycle.”

Opera Today
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“The strongest male singer over the weekend was David Cangelosi, an athletic and funny Mime.”

Los Angeles Times
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“David Cangelosi wonderfully oily and athletic as the conniving dwarf Mime.”

Chicago Tribune
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“David Cangelosi is simply the best Mime I have ever seen or heard, his approach refreshingly three-dimensional and varied.”

ihearvoices.com
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“Tenor David Cangelosi…sings the rôle more comfortably than many Mimes heard in recent years. Cangelosi’s Mime is like a live wire, showering every scene in which he appears with dramatic sparks… his use of text throughout the performance is masterly…his vocalism is gratifyingly fluent.”

Seen and Heard International
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“The role of Mime is unquestionably David Cangelosi’s signature role.”

Opera Warhorses
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“David Cangelosi…marvellous…as Mime.”

Financial Times
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“Vocally, David Cangelosi delivers just about everything you could want in Mime. His full clear tenor easily sails over the roiling orchestra and never grows tiresome to listen to.”

Parterre
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“Mime – David Cangelosi – was superb, a character singer-actor… dancing, high fives and all.”

Bachtrack
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“Throughout the Ring David Cangelosi’s Mime was particularly creepy and unctuous, but in Siegfried, he almost managed to make Mime convincingly pathetic. He has a great character tenor sound and acts well.”

Das Opernglas
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“David Cangelosi’s lustrous Tenor tones were conveyed with complete control as the character Mime… he obviously relished the potential of this multi-layered role…a ‘tour-de–force’ performance.”

DC Metro Theater Arts
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