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Reviews

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”

Janelle Gelfand, The Cincinnati Enquirer
Concert review: Fidelio, Cincinnati Symphony

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”

Janelle Gelfand, The Cincinnati Enquirer
Concert review: Fidelio, Cincinnati Symphony

Cange's Corner

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Saluting a True 'Arts Philanthropist'

By David Cangelosi | July 12, 2013

Yesterday  (July 11 2013), I spent a lovely afternoon at the invitation of the local Wagner Society here in Santa Fe as they paid tribute, via slightly belated birthday party, to a long-time Patron of the Arts.  Edgar Foster Daniels has been supporting the arts (with opera being his particular primary interest) for decades.  He […]

'The Ring' will 'Cycle' itself anew…

By David Cangelosi | May 20, 2013

With much media attention, but little celebrated fanfare; the dedicated and hard-working Metropolitan Opera stage crew reportedly disassembled and loaded for transport perhaps the most talked about set in Met history:  “The Machine”.  Its 24 articulating half-diamond shaped planks are to be housed in a warehouse somewhere in upstate New York for an indefinite period […]

Vann Vocal Institute, 2013

By David Cangelosi | March 2, 2013

March 7-10, 2013 will most certainly go down as a transformative and transitional year for the Vann Vocal Institute in Montgomery, Alabama.  As many now know, my connection to the Capital City goes back some 20 years.  Established in 2007 via gift/bequest from the late Roy D. Vann, the Vann Vocal Institute was created to […]

My First Dollar

By David Cangelosi | November 29, 2012

Winters in the snow belt of Cleveland, Ohio were brutally cold in the 1970’s.  They were endless, withering, and dumped several feet of snow on the ground due to the dreaded “lake-effect” conditions that haunted cities and towns that were perched along the wide, open swath of Lake Erie. At one point, the Parma City […]

…or just a fluke???

By David Cangelosi | October 10, 2012

On Facebook and Twitter this morning, I posted that second performances are akin to “Low Sunday” in the Catholic Church. That is to say, a letdown compared to all the festivities and poignant lead up to Easter Sunday; or in a way the opening of a new opera production. Now…in no way, shape, or form […]

Expectations and Turning Points: a COC timeline

By David Cangelosi | September 19, 2012

I am quite often asked by friends and relatives who are not in the performing arts about the process of getting a production to stage.  After all, they are the ones who only see the “final, shiny, right off the assembly line, fresh from the show-room” product that is sure to dazzle.  There is, as […]

Cangelosi is ahead of the curve!!!

By David Cangelosi | August 23, 2012

Before having dinner with a friend last night (August 22, 2012), he handed me a copy of the August issue of Opera News. While he knows that I am not a voracious reader of most industry publications, he said “A lot of your friends are in this issue; just glance through it.”  Well, glance through […]

World Choir Games (Cincinnati). But where are the attorneys???

By David Cangelosi | July 9, 2012

As the city of Cincinnati continues its incredible renaissance by reclaiming historic neighborhoods, redeveloping long neglected public lands, and renovating the most spectacular collection of Italianate architecture ever seen in the United States, one was struck this past week by the presence of thousands of visitors, and hundreds of choirs, as the city hosted the […]

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