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Reviews

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”

Janelle Gelfand, The Cincinnati Enquirer
Concert review: Fidelio, Cincinnati Symphony

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“Offering more personality was tenor David Cangelosi, who used his in-the-moment communicativeness to make the most of every line of his selections, including “Last Time I saw Paris” from Lady Be Good.”

Kyle MacMillan, Denver Post
Pops Concert Review: Colorado Symphony/Central City Opera

“The adrenalin accelerated seamlessly into Act I where Mary Elizabeth Southworth (Marzellina) and David Cangelosi (Jaquino) dispatched their duet with charm and an undeniable indebtedness to Mozart.”

Janelle Gelfand, The Cincinnati Enquirer
Concert review: Fidelio, Cincinnati Symphony

Cange's Corner

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When a "Fantasy" becomes reality…(LOC's 'Fantasy of the Opera, 2012' takes center stage)

By David Cangelosi | January 29, 2012

If one ever wonders what happens when a bunch of opera singers meet well dressed donors under a themed evening of glamor, drinks, dinner/dancing, and a cabaret performance where anything BUT opera is performed; they need go no further than the Lyric Opera of Chicago to find out.  Once a year, Chicago’s finest and ‘fun-est’ […]

"Afternoon Delight"…a COC regularity!

By David Cangelosi | January 17, 2012

On this cold, foggy, but rainy Toronto Tuesday, in the midst of a winter that won’t make up its mind; the Greater Toronto Area (“The GTA” to us regulars…ha, ha…not really a regular…but I just couldn’t resist) had the opportunity to shed a few pounds over their lunch hour.  That is to say, instead of […]

COC: The most interesting Opera Company in North America???

By David Cangelosi | January 3, 2012

During a recent industry related conversation, one of opera’s most informed insiders intimated to me that Canadian Opera Company (COC) would, “in five years’ time, become the most interesting (opera) house in North America.”  While it is not likely for me to question the authority of this source, I found the words of Ronald Reagan […]

How I Miss the Christmas Music (and the 'Magic')!!

By David Cangelosi | December 8, 2011

For so many of us in the classical vocal arts, one of the prime directives that we give ourselves early on is to strive to become a soloist, or principal artist, in the industry.  It is a long, hard, scary, and extremely lonely road.  Once achieved–if achieved, comes a whole host of new problems attached […]

To Applaud, Or Not Applaud?

By David Cangelosi | November 22, 2011

THAT IS THE QUESTION!!!! When I performed in the 1970 Broadway musical Applause, (in 1985) at the Brunswick Music Theater in Brunswick, Maine; I must admit that I never would have imagined that I would ever script a commentary on just such a subject.  But as the lyrics to the title song ring in my […]

Ariadne auf Naxos, Lyric Opera of Chicago review (final dress)

By David Cangelosi | November 16, 2011

Throughout my career, I have counseled the general opera-going public to never confuse the real-life person with their on-stage persona, regardless of the character they are playing.  The swarthy, always in control characters that Clark Gable played on the silver screen, gave way to an insecure, boyish, real-life personage who had to marry up and […]

'Siegfried' on the radio!!!

By David Cangelosi | October 29, 2011

For those so interested, the final San Francisco Opera Radio Broadcast of Siegfried will be Sunday, November 6 at 11:00 p.m. (EST), 10:00 p.m. (CST), and 8:00 p.m. (PST) on KDFC 90.3, San Francisco.  Below is the link that will take you the “Listen Live” page for the live-stream internet broadcast.  Please take a listen […]

Why the Lyric Opera of Chicago??

By David Cangelosi | October 15, 2011

As I sit today (Saturday October 15) and listen to the 32nd annual Operathon on 98.7 WFMT here in Chicago (in between studying my Russian for our upcoming production of Boris Godunov), I am compelled to outline in writing something that I articulated earlier today in my “on-air” appearance. Why donate to the Lyric Opera […]

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