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Opera Singer and Performer
David Cangelosi

David Cangelosi was a strong-voiced Noctambulist and Pope of Fools, singing with more irony and seductiveness…(his) long hair and white suit made this rogue foppishly elegant.

Opera News

The other high-lying male role is filled by David Cangelosi. His voice is unusually rich and powerful…

Theater Jones

The remarkable David Cangelosi etched yet another vivid and strongly sung characterization as the goofy scientist, Spalanzani.

Chicago Classical Review

David Cangelosi gave us a vibrant, interesting tenor as Tinca.

New York Sun

It was Cangelosi's Mime who nearly stole the show for being so brilliantly sung with vivid characterization.

Opéra Fantastique

David Cangelosi gave his usual polished turn as the wicked Monostatos.

Musical America

Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever.

Opera West

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Biography

David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.

Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.

Reviews

“The dwarf Mime (brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever) is living with his ‘adopted son’, Siegfried, in the shell of a small trailer.”…”Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this often annoying role a total pleasure.”

Opera Review: Siegfried (Cycle II), San Francisco Opera
Opera West

“I was impressed with the energy and physicality of David Cangelosi as the four servants as well. Cangelosi stole the whole show.”

Opera Review: The Tales of Hoffmann, Santa Fe Opera
Out West Arts

“As the First Jew, David Cangelosi revealed vocal resources superior to those of most character tenors.”

Concert review: Salome, Boston Symphony Orchestra at Tanglewood
Richard Dyer, Boston Globe

Cange's Corner

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"The Cunning Little Opener"

By David Cangelosi | September 26, 2017

September 26, 2017 As reported in ClevelandClassical.com by Mike Telin: The Cleveland Orchestra begins its landmark 100th season this week with a revival of Yuval Sharon’s critically acclaimed, made-for-Cleveland production of Leoš Janáček’s opera The Cunning Little Vixen. Franz Welser-Möst leads the Orchestra and a cast that will include Martina Janková (Vixen), Alan Held (Forrester), […]

Let Us Return To…

By David Cangelosi | August 16, 2017

“Common Sense”, “Civil Discourse”, “Intelligent Conversation”, “Patience”, “Gentle Demeanor”, “Truth”, “Love” and “Dignity”.  The highest form of “Wisdom” is “Kindness”, and the greatest positive energy signature is “Gratitude”. Do allow yourself to be “Kind”, and do let us be “Grateful”. August 16, 2017 djc  

Tonya Rising

By David Cangelosi | April 18, 2017

April 18, 2017 On Christmas Day in 1959, a Twilight Zone episode entitled “What You Need” appeared for the very first time on television. The episode focused upon a kind, but mysterious, elder gentleman who peddled odd items from his suitcase in traveling salesman fashion in an unnamed large city.  His power to understand ‘what […]

Up In the Air

By David Cangelosi | February 1, 2017

February 1, 2017 For my colleagues who travel a great deal for a living, and for the many young hopefuls who desire an international career in the arts; this post is worth scanning: 2017 surely started off with a bang with the continuation of a multi-year performance/recording project with the venerable Hong Kong Philharmonic (HK […]

Freaky Forethought (plus a salute to the country's women)

By David Cangelosi | November 14, 2016

On October 12, 2016, I posted to my blog the script you will see below.  I did it for fun because it’s essence hit me one day while I was taking a long jog.  It turns out that I was right on the mark!  But I also follow up with some words to the wonderful […]

Is Trump a modern day 'Loge'??

By David Cangelosi | October 12, 2016

October 12, 2016 Politics can surely be as entertaining as it is enraging, and 2016 has proven to be an exceptional year for both. But putting basic politics aside; I believe I have stumbled on a great example of ‘Life Imitating Art’ for the modern era.  When Richard Wagner wrote his epic ‘Ring Cycle’, he […]

Twenty years? Really??

By David Cangelosi | September 6, 2016

September 6, 2016 Many years ago I recall reading an article about the legendary Baritone Sherrill Milnes when he noted that his time with Boris Goldovsky’s Opera Theater was when things really started happening…but he had by then already been thoroughly participating in the operatic art form.  As I think back, I can also pinpoint […]

Countdown Ring

By David Cangelosi | April 1, 2016

April 1, 2016 With an historic ‘Der Ring des Nibelungen‘ just one month from opening at the prestigious Washington National Opera, I am both tired and excited. Rehearsals have been intense, compressed, and thrilling. Immediately post ‘Ring’ performances here in our nation’s Capital; I will head to Boston with two of my D.C. colleagues to […]

From Vann to Wagner

By David Cangelosi | February 19, 2016

February 19, 2016 With the 9th anniversary of the Vann Vocal Institute in Montgomery AL now storied history; I look ahead to the stunning Washington National Opera production of Francesca Zambello’s ‘American’ Ring Cycle.  To move from “Vann to Wagner” in one fell-swoop may be a bit jarring but, with any luck at all, we […]

H.G.O.

By David Cangelosi | October 12, 2015

October 12, 2015 Many years ago when I made a dedicated decision to leave the ‘night-club/showroom/supper-club’ industry, and embark upon a career in opera, I had a goal in mind: Make a debut at the ‘Big Four’ by the age of 35 (I was 28/29 years old at the time).  The so-called ‘Big Four’ consisted […]

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