
Opera Singer
and Performing Artist
David Cangelosi


DAVID CANGELOSI WAS A STRONG-VOICED NOCTAMBULIST
AND POPE OF FOOLS, SINGING WITH MORE IRONY AND SEDUCTIVENESS…
(HIS) LONG HAIR AND WHITE SUIT MADE THIS ROGUE FOPPISHLY ELEGANT.
Opera News

The other high-lying male role
is filled by David Cangelosi.
His voice is unusually rich and powerful…
Theater Jones

The remarkable David Cangelosi
etched yet another vivid
and strongly sung characterization
as the goofy scientist, Spalanzani.
Chicago Classical Review

David Cangelosi gave us a vibrant,
interesting tenor as Tinca.
New York Sun

It was Cangelosi's 'Mime' who stole the show
for being so brilliantly sung
with vivid characterization.
Opéra Fantastique

David Cangelosi gave
his usual polished turn
as the wicked Monostatos.
Musical America


'Mime'…brilliantly sung
and acted by David Cangelosi,
possibly the greatest 'Mime' ever.
Opera West

David Cangelosi provides a gorgeously sung,
practiced ‘Mime’…a full theatrical creation.
Opera News
Biography
David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.
Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.
Reviews
“Pagliacci’s best singing of the night came from Beppe…in a sweetly sung serenade, courtesy of tenor David Cangelosi. “
“David Cangelosi’s Mime was vocally exactly right…moving…climbing…even doing an (impressive) series of cartwheels. “Cangelosi comes through it all, to his credit, singing well all along.”
The henchman (Spoletta)...well sung by David Cangelosi (a splendid character actor).
"The remarkable David Cangelosi dominates the show to such an extent that the opera should be renamed ‘Mime’."
"Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this role a total pleasure."
All of the roles were well taken. Chief among them was the remarkable character tenor David Cangelosi as the Blind Judge. His powerful singing emphasized the Judge’s tenacity...
The supporting cast was first rate. David Cangelosi as the Blind Judge gave a stentorian hint that Justice might be rendered.
"Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever."
“Mime is David Cangelosi – beyond any doubt whatsoever the best acting I’ve seen anywhere in the world for this very fun – and challenging role.”
Similarly, I always enjoy veteran performer American tenor David Cangelosi. In this production, he was Monostatos. Cangelosi has been around international opera long enough to telegraph “I got this” to the audience. My guess is that kind of cool has a calming effect backstage, similar to that of a veteran ballplayer sitting on the bench with the jumpy rookies. DC Metro Theater Arts
"David Cangelosi’s lustrous Tenor tones were conveyed with complete control as the character Mime… he obviously relished the potential of this multi-layered role...a 'tour-de–force' performance."
And casting David Cangelosi in the problematic role of Monostatos was inspired. Cangelosi went to town playing up the character’s officious buffoonery, singing strongly all the while.
“Tenor David Cangelosi made a real human being out of the secondary character Prunier, and delivered the musically important part with panache. “
Cange's Corner
The Crowd Goes Crazy, Die Fledermaus JLO
Opening Night Excitement, 50th Anniversary JLO, Die Fledermaus 2025
WSFA TV, Vann Vocal Finale Media Blitz
Troy Public Radio (NPR), In Focus with Carolyn Hutcheson
Montgomery Media Blitz
Vann Vocal Institute 15th Anniversary ‘Celebrity Recital’ promo
Todd’s Song (The Table Remains)
The Power of Music!
Albert Herring, Santa Fe Opera Review, July 31 2010
The Santa Fe Opera maintained two traditions that are now synonymous with its 2010 summer season last night: The first was getting an opening night performance (of yet another new production) successfully on stage; the other was doing so amid foul weather. As penetrating threads of lightening splintered the cryptic night skies of Santa Fe, […]
Read MoreNo good deed…..
With the ‘sting’ of the recent home invasion still smarting and annoying me, one has to believe that at one point things will balance themselves out with the universe….right?? Wrong!!! Please read the text of an email I sent to the head of the housing department here at the Santa Fe Opera (on an unrelated […]
Read MoreDas Lied von der Erde, July 25th, Santa Fe
After attending Mahler’s Das Lied von der Erde, part of the Santa Fe Chamber Music Festival’s summer season, I felt compelled to write about it…so moving was the entire event. I hesitated momentarily because I felt that perhaps I couldn’t be completely objective as I am currently working with Paul Groves in The Tales of […]
Read MoreLife is a Dream, Santa Fe Opera 2010
Opening night of Lewis Spratlan’s Pulitzer Prize winning opera, Life is a Dream, was somewhat of a subdued affair. Unseasonably cold and wet weather loomed, as did a sense of trepidation, in my opinion, as to how the opera would be received. In a world where Nobel Prize Awards, Academy Awards, Emmy Awards, a dizzying […]
Read MoreHoffmann, Santa Fe Opera….Finally onstage!!
Not really sure what I am seemingly complaining about in the title of this post. We rehearsed Hoffmann at the ‘Santa Fe Opera standard’ of 3 weeks or so. But it was nothing short of amazing what Christopher Alden has done in that short amount of time for such a large scale work. And this, […]
Read MoreSanta Fe Opera, 2010: Hoffmann intrigue and shake-up!!
Well, imagine showing up to your first orchestra dress to discover that one of the main players in your cast has decided to leave the production….after working and rehearsing for almost 4 weeks!! Well this is exactly what happened as Gidon Saks decided he was not up to the task of singing the ‘Four Villains’ […]
Read MoreTales of Hoffmann, 2010 Santa Fe
The first run through of Hoffmann onstage today (July 10) was a bag of mixed emotions. Less than 24 hours earlier I returned to the home in Santa Fe to which I was assigned, to find it had been broken into and robbed rather thoroughly. Paul Groves wondered why I hadn’t returned to his house […]
Read MoreSanta Fe Opera, 2010
Having just arrived a few days ago here in Santa Fe for their 2010 summer season; I am reminded of the last time that I was here…three summers ago. At that time, I was singing the same production of The Magic Flute that I am now covering for this summer. Opera company production scheduling can […]
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