Cange’s Corner

For so many of us in the classical vocal arts, one of the prime directives that we give ourselves early on is to strive to become a soloist, or principal artist, in the industry.  It is a long, hard, scary, and extremely lonely road.  Once achieved--if achieved, comes a whole…

THAT IS THE QUESTION!!!! When I performed in the 1970 Broadway musical Applause, (in 1985) at the Brunswick Music Theater in Brunswick, Maine; I must admit that I never would have imagined that I would ever script a commentary on just such a subject.  But as the lyrics to the…

Throughout my career, I have counseled the general opera-going public to never confuse the real-life person with their on-stage persona, regardless of the character they are playing.  The swarthy, always in control characters that Clark Gable played on the silver screen, gave way to an insecure, boyish, real-life personage who…

For those so interested, the final San Francisco Opera Radio Broadcast of Siegfried will be Sunday, November 6 at 11:00 p.m. (EST), 10:00 p.m. (CST), and 8:00 p.m. (PST) on KDFC 90.3, San Francisco.  Below is the link that will take you the "Listen Live" page for the live-stream internet…

As I sit today (Saturday October 15) and listen to the 32nd annual Operathon on 98.7 WFMT here in Chicago (in between studying my Russian for our upcoming production of Boris Godunov), I am compelled to outline in writing something that I articulated earlier today in my "on-air" appearance. Why…

Saturday October 1, 2011 will most certainly be remembered for many things in the annals of Chicago operatic history:  It will have marked only the third time that the Lyric Opera of Chicago has mounted a production of The Tales of Hoffmann in some 35 years; it also marked the…

When I was stopped on the streets of Chicago on an unusually chilly early September Tuesday, and was asked to participate in the inaugural segment of something entitled "Bringing America Back" for ABC World News, how could I refuse?!  I was told I would be a featured guest that very…

When I first heard the characters Mama Morton and Velma Kelly sing the duet "What Ever Happened to Class" from the Kander/Ebb/Fosse musical Chicago, my derriere became a size or two smaller from laughing so hard.  Even though the characters are from the days of Prohibition, their social commentary about…

There have been many 'soldier portrayals/characters' in the annals of the operatic forum; from the comic, blustering Belcore in Donizetti's L'elisir d'amore, all the way to a cross between Gomer Pyle and Forrest Gump in the character of Josef Schweik in Kurka's rather contemporary opera The Good Soldier Schweik, that…

When the final curtain came down on San Francisco Opera's newly rolled out Ring Cycle, a great sigh (or shall we say "heave") of relief came from all corners of the Opera House:  From the Administrative Office Suites, across to the Media Studio, through the Public Relations wing, right down…

It's Final Siegfried Eve here in San Francisco, and as I gaze out at the clear blue sky (a true rarity these past few months) from my temporary condo at the Opera Plaza complex, I am thinking back on just how quickly the time has passed.  Even though the past three…

As a result of the dizzying success of San Francisco Opera's new Ring Cycle, and for me, Siegfried in particular; I have come so close to being 'outed', that I might just as well cop to it right now on my own terms.  If I do not, then I am…