After numerous requests, and after 10 years of the same boring ol' website; it was time for the technically reserved David Cangelosi to get into the 21st century. I have to admit that the time had most definitely come!! So after meeting with my point person at Sanctuary Media Group…
Read MoreCange’s Corner
Albert Herring, Santa Fe Opera Review, July 31 2010
The Santa Fe Opera maintained two traditions that are now synonymous with its 2010 summer season last night: The first was getting an opening night performance (of yet another new production) successfully on stage; the other was doing so amid foul weather. As penetrating threads of lightening splintered the cryptic…
Read MoreNo good deed…..
With the 'sting' of the recent home invasion still smarting and annoying me, one has to believe that at one point things will balance themselves out with the universe....right?? Wrong!!! Please read the text of an email I sent to the head of the housing department here at the Santa…
Read MoreDas Lied von der Erde, July 25th, Santa Fe
After attending Mahler's Das Lied von der Erde, part of the Santa Fe Chamber Music Festival's summer season, I felt compelled to write about it...so moving was the entire event. I hesitated momentarily because I felt that perhaps I couldn't be completely objective as I am currently working with Paul…
Read MoreLife is a Dream, Santa Fe Opera 2010
Opening night of Lewis Spratlan's Pulitzer Prize winning opera, Life is a Dream, was somewhat of a subdued affair. Unseasonably cold and wet weather loomed, as did a sense of trepidation, in my opinion, as to how the opera would be received. In a world where Nobel Prize Awards, Academy…
Read MoreHoffmann, Santa Fe Opera….Finally onstage!!
Not really sure what I am seemingly complaining about in the title of this post. We rehearsed Hoffmann at the 'Santa Fe Opera standard' of 3 weeks or so. But it was nothing short of amazing what Christopher Alden has done in that short amount of time for such a…
Read MoreSanta Fe Opera, 2010: Hoffmann intrigue and shake-up!!
Well, imagine showing up to your first orchestra dress to discover that one of the main players in your cast has decided to leave the production....after working and rehearsing for almost 4 weeks!! Well this is exactly what happened as Gidon Saks decided he was not up to the task…
Read MoreTales of Hoffmann, 2010 Santa Fe
The first run through of Hoffmann onstage today (July 10) was a bag of mixed emotions. Less than 24 hours earlier I returned to the home in Santa Fe to which I was assigned, to find it had been broken into and robbed rather thoroughly. Paul Groves wondered why I…
Read MoreSanta Fe Opera, 2010
Having just arrived a few days ago here in Santa Fe for their 2010 summer season; I am reminded of the last time that I was here...three summers ago. At that time, I was singing the same production of The Magic Flute that I am now covering for this summer. …
Read MoreDallas Opera, 2010: Madame Butterfly
The past months of April and May were spent in the wonderful city of Dallas, Texas, working with the Dallas Opera. The only thing that could have trumped the world premiere of Jake Heggy's much touted (and rightfully so) Moby Dick, and the wonderful remount of Francesca Zambello's Madame Butterfly…
Read MoreOpera, Drama and the Character Tenor: An Interview with David Cangelosi
Interview with William H. Burnett: OPERAWARHORSES.COM www.operawarhorses.com January 4th, 2009 As a reviewer of substantial numbers of operatic performances, one comes to appreciate that a truly successful performance requires much more than good singing by the singers in the lead roles. Often, a good performance becomes a great one when…
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