Opera Singer and Performer
David Cangelosi
David Cangelosi was a strong-voiced Noctambulist and Pope of Fools, singing with more irony and seductiveness…(his) long hair and white suit made this rogue foppishly elegant.
Opera News
The other high-lying male role is filled by David Cangelosi. His voice is unusually rich and powerful…
Theater Jones
The remarkable David Cangelosi etched yet another vivid and strongly sung characterization as the goofy scientist, Spalanzani.
Chicago Classical Review
David Cangelosi gave us a vibrant, interesting tenor as Tinca.
New York Sun
It was Cangelosi's Mime who nearly stole the show for being so brilliantly sung with vivid characterization.
Opéra Fantastique
David Cangelosi gave his usual polished turn as the wicked Monostatos.
Musical America
Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever.
Opera West
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Biography
David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.
Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.
Reviews
“The dwarf Mime (brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever) is living with his ‘adopted son’, Siegfried, in the shell of a small trailer.”…”Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this often annoying role a total pleasure.”
Opera Review: Siegfried (Cycle II), San Francisco Opera
Opera West
“I was impressed with the energy and physicality of David Cangelosi as the four servants as well. Cangelosi stole the whole show.”
Opera Review: The Tales of Hoffmann, Santa Fe Opera
Out West Arts
“As the First Jew, David Cangelosi revealed vocal resources superior to those of most character tenors.”
Concert review: Salome, Boston Symphony Orchestra at Tanglewood
Richard Dyer, Boston Globe
Cange's Corner




An Interview with David Cangelosi
A very nice young man who is studying our craft, and starting his career, was given an assignment at school recently. His charge was to seek out a professional colleague and interview them. His questions were so good, and his intentions so sincere, that I decided to post the interview to my blog. Thank you […]
When all else failed…
Now that Labor Day has passed, and many of us in the artistic community have completed summer festival employment and/or vacations; we turn our sights to the main arts season dated 2013/2014…the time expanse that begins in late August/early September 2013 thru April/May 2014. For most of us, this means that we must align ourselves, […]
Saluting a True 'Arts Philanthropist'
Yesterday (July 11 2013), I spent a lovely afternoon at the invitation of the local Wagner Society here in Santa Fe as they paid tribute, via slightly belated birthday party, to a long-time Patron of the Arts. Edgar Foster Daniels has been supporting the arts (with opera being his particular primary interest) for decades. He […]
'The Ring' will 'Cycle' itself anew…
With much media attention, but little celebrated fanfare; the dedicated and hard-working Metropolitan Opera stage crew reportedly disassembled and loaded for transport perhaps the most talked about set in Met history: “The Machine”. Its 24 articulating half-diamond shaped planks are to be housed in a warehouse somewhere in upstate New York for an indefinite period […]
Vann Vocal Institute, 2013
March 7-10, 2013 will most certainly go down as a transformative and transitional year for the Vann Vocal Institute in Montgomery, Alabama. As many now know, my connection to the Capital City goes back some 20 years. Established in 2007 via gift/bequest from the late Roy D. Vann, the Vann Vocal Institute was created to […]
My First Dollar
Winters in the snow belt of Cleveland, Ohio were brutally cold in the 1970’s. They were endless, withering, and dumped several feet of snow on the ground due to the dreaded “lake-effect” conditions that haunted cities and towns that were perched along the wide, open swath of Lake Erie. At one point, the Parma City […]
…or just a fluke???
On Facebook and Twitter this morning, I posted that second performances are akin to “Low Sunday” in the Catholic Church. That is to say, a letdown compared to all the festivities and poignant lead up to Easter Sunday; or in a way the opening of a new opera production. Now…in no way, shape, or form […]
Expectations and Turning Points: a COC timeline
I am quite often asked by friends and relatives who are not in the performing arts about the process of getting a production to stage. After all, they are the ones who only see the “final, shiny, right off the assembly line, fresh from the show-room” product that is sure to dazzle. There is, as […]
Cangelosi is ahead of the curve!!!
Before having dinner with a friend last night (August 22, 2012), he handed me a copy of the August issue of Opera News. While he knows that I am not a voracious reader of most industry publications, he said “A lot of your friends are in this issue; just glance through it.” Well, glance through […]
World Choir Games (Cincinnati). But where are the attorneys???
As the city of Cincinnati continues its incredible renaissance by reclaiming historic neighborhoods, redeveloping long neglected public lands, and renovating the most spectacular collection of Italianate architecture ever seen in the United States, one was struck this past week by the presence of thousands of visitors, and hundreds of choirs, as the city hosted the […]
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