Opera Singer and Performer
David Cangelosi
David Cangelosi was a strong-voiced Noctambulist and Pope of Fools, singing with more irony and seductiveness…(his) long hair and white suit made this rogue foppishly elegant.
Opera News
The other high-lying male role is filled by David Cangelosi. His voice is unusually rich and powerful…
Theater Jones
The remarkable David Cangelosi etched yet another vivid and strongly sung characterization as the goofy scientist, Spalanzani.
Chicago Classical Review
David Cangelosi gave us a vibrant, interesting tenor as Tinca.
New York Sun
It was Cangelosi's Mime who nearly stole the show for being so brilliantly sung with vivid characterization.
Opéra Fantastique
David Cangelosi gave his usual polished turn as the wicked Monostatos.
Musical America
Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever.
Opera West
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Biography
David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.
Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.
Reviews
“The dwarf Mime (brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever) is living with his ‘adopted son’, Siegfried, in the shell of a small trailer.”…”Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this often annoying role a total pleasure.”
Opera Review: Siegfried (Cycle II), San Francisco Opera
Opera West
“I was impressed with the energy and physicality of David Cangelosi as the four servants as well. Cangelosi stole the whole show.”
Opera Review: The Tales of Hoffmann, Santa Fe Opera
Out West Arts
“As the First Jew, David Cangelosi revealed vocal resources superior to those of most character tenors.”
Concert review: Salome, Boston Symphony Orchestra at Tanglewood
Richard Dyer, Boston Globe
Cange's Corner




It's All History Now!
When the final curtain came down on San Francisco Opera’s newly rolled out Ring Cycle, a great sigh (or shall we say “heave”) of relief came from all corners of the Opera House: From the Administrative Office Suites, across to the Media Studio, through the Public Relations wing, right down to the Rehearsal Department, and […]
One Last Hurrah…
It’s Final Siegfried Eve here in San Francisco, and as I gaze out at the clear blue sky (a true rarity these past few months) from my temporary condo at the Opera Plaza complex, I am thinking back on just how quickly the time has passed. Even though the past three months have been saturated with […]
Out of the Closet…(Finally)
As a result of the dizzying success of San Francisco Opera’s new Ring Cycle, and for me, Siegfried in particular; I have come so close to being ‘outed’, that I might just as well cop to it right now on my own terms. If I do not, then I am at risk of photos that […]
Butterflies are free…
I write this blog posting as I wait to perform Das Rheingold, the first installment of Richard Wagner’s epic Ring of the Nibelungen, on this, the first of our ‘Cycle’ presentations. We will perform all four operas this week, and repeat this task to complete 3 full cycles by the July 4th Holiday weekend. As […]
Siegfried pandemonium, and "One for the Techies"
The roof of San Francisco’s War Memorial Opera House almost blew off of it’s trusses last Sunday evening (May 29) at approximately 5:55 p.m. local time–and I am not kidding!!! Don’t just take my word for it; ask anyone who was there!! Read on, and you will understand some of what may have contributed to […]
"A Sizzlin' Sitz"
When all the “i’s” are dotted, all the “t’s” are crossed, and the final page is turned; one may look back at the Siegfried sitzprobe of May 17 & 18, 2011 and correctly identify it as the tipping point where one could now actualize–not just envision–the success of the upcoming Ring Cycle here in San […]
"Props…that's my job."
As the month of May continues to whiz by, so do our rehearsals for San Francisco Opera’s current challenge–namely, the staging of the entire Ring of the Nibelungen. With the first installment (a stand alone performance of Siegfried) due to grace the stage over Memorial Day weekend, time is getting tight. So tight, in fact, […]
"Ring" of Fire…
The late, great Johnny Cash utilized a unique trumpet fanfare as the musical introduction to his 1963 single, “Ring of Fire”. The use of mariachi brass throughout, set this song apart–at least as far as country music was concerned–and resulted in a blaze of glory (pardon the pun) as the song became an instant hit, […]
The Chorus (a.k.a. Operatic Footsoldiers)
One of the more delightful aspects of coming to Dallas the past few years has been carving out the time to visit some old friends from college (undergraduate school) who have settled in the area for their livelihood. My best friend in college, and among the first persons I had met when I moved onto […]
Humbled to say: "I told you so!!" (Boris Godunov, Dallas Opera)
As I attended a performance of Rigoletto on April 2, 2011 (one day after opening night of Boris Godunov) with my girlfriend Tracy, I must admit that I was thrilled to have been approached by several audience members who had already seen Boris at either our final dress rehearsal, or our actual opening night performance […]
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