Biography

David Cangelosi has firmly established himself as an artist who combines both excellent singing with winning characterizations. He is highly acclaimed by major opera companies and symphony orchestras in the U.S. and abroad, particularly for his portrayal of Mime in Wagner’s Ring Cycle.

Additionally, Mr. Cangelosi serves as the Artistic/Program Director of the Vann Vocal Institute in Montgomery, Alabama, and actively travels the country as a recitalist, symphonic guest-artist, competition adjudicator, and Master Class instructor for aspiring vocalists.

Reviews

“Tenor David Cangelosi made a real human being out of the secondary character Prunier, and delivered the musically important part with panache. “

T.J. Medrek, Boston Herald
Opera review: La Rondine, Boston Lyric Opera

The henchman (Spoletta)...well sung by David Cangelosi (a splendid character actor).

Washington Classical Review
‘Tosca’, Washington National Opera (May 11, 2019)

Similarly, I always enjoy veteran performer American tenor David Cangelosi. In this production, he was Monostatos. Cangelosi has been around international opera long enough to telegraph “I got this” to the audience. My guess is that kind of cool has a calming effect backstage, similar to that of a veteran ballplayer sitting on the bench with the jumpy rookies. DC Metro Theater Arts

DC Metro Theater Arts
The Magic Flute, Washington National Opera

“David Cangelosi’s Mime was vocally exactly right…moving…climbing…even doing an (impressive) series of cartwheels. “Cangelosi comes through it all, to his credit, singing well all along.”

San Francisco Examiner
Opera Review: Siegfried, San Francisco Opera

"David Cangelosi’s lustrous Tenor tones were conveyed with complete control as the character Mime… he obviously relished the potential of this multi-layered role...a 'tour-de–force' performance."

DC Metro Theater Arts
Opera Review: as Mime

“Pagliacci’s best singing of the night came from Beppe…in a sweetly sung serenade, courtesy of tenor David Cangelosi. “

William V. Madison, Opera News
Opera review: Pagliacci, Lyric Opera of Chicago

"The remarkable David Cangelosi dominates the show to such an extent that the opera should be renamed ‘Mime’."

The Classical Review
Opera Review: as Mime

All of the roles were well taken. Chief among them was the remarkable character tenor David Cangelosi as the Blind Judge. His powerful singing emphasized the Judge’s tenacity...

Opera Canada
Das Wunder der Heliane, Bard Music Festival

The supporting cast was first rate. David Cangelosi as the Blind Judge gave a stentorian hint that Justice might be rendered.

ConcertoNet
Das Wunder der Heliane, Bard Music Festival

And casting David Cangelosi in the problematic role of Monostatos was inspired. Cangelosi went to town playing up the character’s officious buffoonery, singing strongly all the while.

Washington Post
The Magic Flute, Washington National Opera

“Mime is David Cangelosi – beyond any doubt whatsoever the best acting I’ve seen anywhere in the world for this very fun – and challenging role.”

Operawarhorses.com
Opera Review: Siegfried, San Francisco Opera

"Mime…brilliantly sung and acted by David Cangelosi, possibly the greatest Mime ever."

Opera West
Opera Review: as Mime

"Nobody has ever been more effective or as amusing than David Cangelosi as Mime; he made every minute of this role a total pleasure."

Opera West
Opera Review: as Mime

Cange's Corner

And then there were 5…(generations)

June 4, 2012
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The passage of time is so sneaky, we hardly note the ‘tick-tick-tock’ of life’s clock.  Then one day we awake and realize that we have grown old(er) {see: Old in San Diego, from the August 2011 blog archive}.  Sometimes it is sad, as when we realized that our childhoods were really over; and sometimes it […]

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100 years YOUNG??? (Dallas Symphony and Bruckner)

April 27, 2012
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When one tallies the affect and effect of 100 years’ time, we can clearly say “Wow; how things have changed!” as much as we can say “Wow; some things never change!”  My grandmother turns 100 this year.  She lived through two world wars, the Great Depression, enjoyed radio–but also saw the advent of television; she […]

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Making History: Dallas Opera–and a decades old production!!

April 23, 2012
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With each breath and step we take, a sliver of history is created: Micro-history, I like to call it.  Macro-history, however, is created via demonstrable over-arches that bend the arc of narrative…at least, and until–in the case of records–they are replaced. Such will be the case later this week when the Dallas Opera steals most […]

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A Steady Diet of Bach (A Dallas Symphony Orchestra/St. Matthew Passion experience: March 29, 2012)

March 30, 2012
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As an undergraduate music student at Baldwin-Wallace College (now Baldwin-Wallace University) in Northeast Ohio, we were force-fed an unrelenting amount of music by, arguably, the greatest composer to have ever lived, Johann Sebastian Bach (just don’t tell Mozart or Beethoven…and for goodness’ sake, don’t breathe a word to Wagner!).  The B-W Conservatory of Music was […]

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"You can't go home again"…or "CAN you"?? (A Visit to 'Normandy High School')

March 23, 2012
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On this 23rd of March, I sit in the living room of my corner-unit residence in Chicago.  With over-sized windows that feature Gotham City views, I watch the rain come down, as well as witness the fog engulf the downtown skyline in which my own building is nestled.  I think about my other home in […]

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Vann Vocal Institute, 2012 (Trying to keep our sanity…)

February 27, 2012
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As some of you know, in addition to my operatic performance career, I have spent the last five years establishing (by invitation) a small but growing vocal institute in Montgomery, Alabama; a city with which I have had a decades-long association.  As the Artistic Director of the Vann Vocal Institute (named after deceased philanthropist and […]

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COC's "Love from Afar": The joys and challenges of contemporary opera!

February 6, 2012
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This past weekend, a friend and I attended the other current offering at Canadian Opera Company; Kaija Saariaho’s Love from Afar, based on the 12th century poetic text La Vida breve by Jaufre Rudel, with modern libretto by Amin Maalouf, and stage direction by Daniele Finzi Pasca.  As the “Hollywood-ization”–or in this case the “Cirque […]

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When a "Fantasy" becomes reality…(LOC's 'Fantasy of the Opera, 2012' takes center stage)

January 29, 2012
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If one ever wonders what happens when a bunch of opera singers meet well dressed donors under a themed evening of glamor, drinks, dinner/dancing, and a cabaret performance where anything BUT opera is performed; they need go no further than the Lyric Opera of Chicago to find out.  Once a year, Chicago’s finest and ‘fun-est’ […]

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